Showing posts with label This Is Why We Are Here. Show all posts
Showing posts with label This Is Why We Are Here. Show all posts

Sunday, July 22, 2012

GAUNT "BEGGIN 4 IT GENRE"

1) "Phonecall" New Radiant Storm King 
2) "Before Three" The Cure
3.) "Beggin 4 it Genre" Gaunt

A Consummate Playlist is a running list of songs I sorta skipped the first time around, didn't pay enough attention to, or missed altogether, no matter how close to home they may have been. Head over heels, I fell for them within the past year letting someone else drive my truck around Memphis. None are a better example than this song by Gaunt. From where I am proud to call my hometown, Columbus, Ohio. Songs just sound better when you play them. Not you. You.




Saturday, June 16, 2012

TAN AS FUCK

is my favorite band name of all time. A noise band out of Nashville, they came to my attention around 2003 when they played at the BLD, an experimental/noise underground venue in Columbus, Ohio. Times New Viking were welcome at the BLD, and we relished in being the most structurally normal band on any given line-up. It turns out that Angela Messina and Derek Schartung, the noise power couple that is Tan As Fuck, first got their tubes warmed up in a grassroots song-type band not unlike TNV, as Cornfed. Now check your synchronicity at the door, because this was revealed to me eight years after giving Tan as Fuck the nominal blue ribbon, in part of our* endless conversation, which grazed the topic of band names and pivoted on the disclosure of my all time fave. Andrew Earles (*the other in our) released Cornfed's debut 7" in 1997 on his Resort Theory Entertainment.


Monday, May 28, 2012

The Cure "Before Three"



1) "Phonecall" New Radiant Storm King 
2) "Before Three" The Cure

The only thing about this song that doesn't recall ultimate loss is the fact that The Cure was able to come up with it 25 years after their debut records...(yeah, two). A dangerously pop effusion of melancholy that can be devastating if you don't use protection.




Tuesday, May 22, 2012

It's Kinda Like Sentient Blood Mist

I want to be between with you forever. 



Wednesday, May 9, 2012

Ted Nugent Says Stop Snitchin'


     Less than five minutes into Metal Evolution: Early Metal US, Ted Nugent burps the name of the President of the United States.  

     This VH1 series chronicles heavy metal's ascent as maneuvered by host Sam Dunn and his questionable childlike wonder, considering the metal lifer also has a degree in anthropology.  It seems the arrangement was for him to ask "why" and forget about applied knowledge. For instance, if Steppenwolf is allowed an uncontested bid for founder of the genre because "Born to Be Wild" incidentally links heavy to metal to thunder as lyrics (and they didn't even write the song).......what does Mr. Dunn think about the fact that my first word was "NWOBHM" ????

     Anyway, Nugent's ructus exactus and the profile that followed sparked some cognitive dissonance, further rattled when we caught a video clip of him and Rosie O'Donnell, in a South Park waiting to happen, "debate" health care. Is he funny? Has he lost his mind? Is he a refreshing maverick individual or another dumb ass with a platform?

So we figured out a way to form an opinion. I am going to call this:

How to Judge People - Qualifyin' Nuge


Materials Needed:
VH1 Behind the Music on Ted Nugent
 Dry Erase Board

How-to:
Every time Nugent says something to the camera, determine if the particular sentiment elicits a positive, negative or neutral reaction.   A side bar can be kept for additional notes and bits of information not explicitly conveyed by Nugent but regarding him, to be held for consideration before final review.

Results:
Positive :  15
Negative:  11
Neutral:     3

Synopsis:
Statistical analysis erred on positive and we came off the test with a resounding bad taste in our mouths.
This is a bad way to judge people.
But funny like the Geico insurance taste tests.



Monday, April 30, 2012

New Radiant Storm King "Phonecall"

Remember Indie Rock Cribs?

Of course you kinda do....
   
It's one of those ideas that are simultaneously thought up and considered anywhere from brilliant to a no-brainer, to be quickly dismissed assuming somebody has already pursued it or it is in the works. An "I'll let somebody else do that" kind of idea.

I guess the guy from The Pernice Brothers was that guy.

Turns out, the guitar player for his band is one of New Radiant Storm King. Their song, "Phonecall", is on my list to be mentioned as part of....

          

#1 "Phonecall", New Radiant Storm King

     So here we are.

New Radiant Storm King win first prize in naming things, as their 96' album Hurricane Necklace points out.  It recalls a naming device peers Guided By Voices have perfected: culling the strange verbiage/titling from a familiar object/scenario and reapplying it, an appropriation which undermines any metaphor that was once in place.  A petty thief of the uncanny. For example, a "hurricane necklace" is an actual type of necklace. The necklace is familiar yet its name is not common knowledge, this is the initial strange element. I would bet that a band member came across these two words as a functioning description of a necklace. At this point, the words were in place as a metaphoric device to term a necklace, its a "hurricane" necklace. Now the band member, having a relaxed-creative type brain, conducive to siphoning meaning and stealing things (good), took "hurricane necklace" and applied it as a signifier for the album by New Radiant Storm King as we know it today. This appropriation will do little to recall an actual necklace, since the product term is so narrowly known, but will immediately become the album, in all it's lyrical vagaries, hooks and slippage, in the listener's brain.    

But "Phonecall" (Rival Time, 1993is different. The subtext in "Phonecall" is served with a trusty  rhetorical question, heavy on the sarcasm. "Are you enjoying all your classes?" One line and the jig is up. The whole scene is set! She left him. She is off to college - as was expected of her; meet people, eat drugs, read books. We side with the first person protagonist as he fights for love, as he struggles to get through to her, as he struggles to fit the syllables into the next line, "don't talk to anyone who doesn't know you cause they don't know what you been through". Dumb elegance that you couldn't pay to learn how to pull off.

If the fridge pictured above is any indication, we are trying for P-H-fucking-D's here at headquarters.

Saturday, March 17, 2012

Honor System Records

     We decided to put the records left over from our yard sale in a box on Sunday morning, to
be purchased on the honor system. The LP box read, "Records...on the honor system. Take what you want, but replace with item(s) of equal or greater value." Next to it was a box that read, "Box for item(s) of equal or greater value, re: whatever you take out of the record box. Smile...you are on camera! No, really."
And we really did have a camera shooting out of the war room as we left for a day of errands.

A partial list of the records:
  Fleetwood Mac Tusk (missing one record)
  Charlie Pride Greatest Hits
  Skeeter Davis Greatest Hits
  Patti Smith Horses (sleeve only, defaced with, "I am as confused as you are")
  Blue Cheer Vincebus Eruptum
  Architecture in Helsinki (Record Store day 12" 2008)
  Manfred Mann's Earth Band Glorified Magnified white label promo, cut-out
  Crystal Gayle Crystal
  Rolling Stones Some Girls
  Rolling Stones Hot Rocks
  Collette (sleeve only)

     We came home to an empty box, full tape of footage and this on our door....


     The tape exposed two college-aged individuals as leaving the origami $20 on our door. They were most excited about the Architecture in Helsinki record, purchased by us out of curiosity and as a possible investment opportunity, we couldn't take off our turn table fast enough.

     Reviewing the footage was akin to watching a horror movie. This was based on the anticipation in viewing a set frame of reference; not knowing when someone would appear, who they would be and how they would react to our display.

     In a twist on Heisenberg's uncertainty principle, we set-up the same boxes and signs with new records a few weeks after this initial experiment, only this time without actual surveillance. We came home to those records seemingly untouched.

Friday, March 2, 2012

It Might Get Shitty.

(continued from Mommy, what's a Skrillex? , kinda)

     Superbowl Sunday '12 was spent at mom's but instead of having wings we had defining types of music listeners.

Here is what we came up with:

Co-workers - Barely buy CD's or MP3's, maybe have a satellite radio in their car, maybe an iPod but it was probably a gift or purchased as a fetish object. The radio is their #1 source for new music and that is FM radio waves. Music isn't considered. They listen to the radio in their home. When asked about their personal taste, they "like a little bit of everything".... "EXCEPT country."

Name TBA - Music is considered but any purity in reasoning has been convoluted. These people chose music at some point in life, usually high school or immediately after (when people think they have to choose between music and sports). This functions, naturally, to form their social group. Optimistically, there was an authentic kernel of interest in music informing this decision but sooner rather than later, they lose the plot. Already engrained in a social/genre setting (it occurs at varying degrees in every music genre) they craft their "top 20" (definitely have iPods, probably don't have a record player) from their peers....o
kay, blogs... okay, Pitchfork. It is also worth noting that they are probably barflies and barnacles.

Retirees - Differ from the above because they had a real vested interest in music for their formative years and beyond. They were either in bands, music writers or had some other crucial role in the biz. At so
me point and for varying reasons (domesticity, "real" job, loss of spirit) they loose the knack for discernment. The muscle isn't exercised, therefore they are agreeable to new diluted trends and have no drive to delve into histories. They stopped buying records and what is left of their collection is in a closet, basement or man cave.

Real Music Fans (RMFs) - You know who you are, 'nuff said.

Friday, February 24, 2012

I never thought it would be easy but I knew it would be worth it.


Pauline Kael State of the Art
Charles Willeford The Burnt Orange Heresy
Ian Christie Sound of the Beast
Ben Jeffery Anti-Matter
Adam Harper Infinite Music
Stanley Fish How to Write a Sentence


Wednesday, February 8, 2012

Mommy, What is a Skrillex?

     What am I going to say when my child asks me this? I mean, it's complicated...I feel like I know but I don't really know.

     And so it goes for a lot of music I read about or hear of; my musical investment (being in a band, cultural interest, devouring music magazines) by default provides a cache of band names in which I am aware of their existence yet never actually hear the music. My listening routine has no built-in program for immersion here. I don't download music, I just don't. These bands or musical acts become fodder for in-jokes, supplementing the known with presumptuous banter, more often than not on target, and spontaneous game-like inventions to conjure up the sound. Of course this speaks loudly to being out of touch, to which we sporadically try to rectify.

     So it went when Spin magazine blindsided us with Skrillex on the front cover a few months back. What is Skrillex? We had never even heard the name before. Soon every questionable sound was met with, "is it Skrillex?" Static, creaks, loud unexplained rumbles outside...Skrillex? When it went as far as any questionable anything being potential Skrillex, we tapped out to YouTube to end the madness. For this, I was unprepared....

     The Skrill Cell was amaaaazing!

Friday, January 6, 2012

Y2K2

"Are you open?"
"Yes. But I have to change over. It's a new day."
-January 1, 2012 12:05 am
cashier at this amazing store we found - it has everything and is open 24 hours, even on holidays
!

     And a New Year. But not just like that - it is that it has been a year at that moment, the moment chosen to bookend and celebrate a slab of time: 5,4,3,2,1.... that was a year. Each one is broken off as uniformly as possible, with daylight savings and leap years in place as regulators yet there is always a slight indentation or smear off the back.

     
     This nod of recognition to 365 days is the scripted wink of an actor; smiles cued to shutter speeds capture the evidence of a dress rehearsal. A particular small-talk-special (once-a-year only!) infolds all conversations: what "kind of year" did it feel like, short or long? Such is pretty damn obtuse for small talk fodder and the only time solipsism is invited to the party - like dream sequences and if you like gum or not, the information is completely worthless to others.


     Consider an agreement in kind. It is not analogous to agreeing on the weather. One's experience of time is the epitome of subjectivity. In turn, the idea of a stimulating debate on time perception is hilarious in it's absurdity. I guess this makes the topic a paragon of small talk. It is simply an agreement to engage, the tacit offering of an empty vessel served in the name of social graces or (to give it much credit) an invitation suggesting potential. No thoughtful response necessary; this one is all call.

Feedback of time either smacks you in the face or doesn't yet everyone seems to choose a side in pleasantries. I have never heard anyone state "it felt like a year" but I have also never been to an Asbergers ball or inside a Miranda July movie.* The consensus usually is that "the year went by so fast". This makes sense, especially as we age and each year becomes a smaller and smaller fraction of the whole. Nothing good can follow "it was a long year..." but that is in framing. Each determination can be both positive and negative.


An ineffable fave....

...conclusion pitched aggressively to the void.





*No dig to those with Asbergers syndrome. They probably somehow know the correct answer here.



Saturday, December 31, 2011

Best of 2012

     This new bloggity-blog thing seems like a good way to hold oneself accountable to New Years resolutions. Here they will be archived, protection courtesy the guise of the public eye - making it hard to forget about them a year from now....as long as I have maintained this.
Here they are, in a sort of particular
order:



1. Keep up with my bloggity-blog

2. Apply theories of Henri Bergson when approaching music, art and entertainment. The refraction of this critical lens is still in development but the general idea is to isolate everything. Songs, television episodes, texts, films and singular works of visual art are not only to be separated from their maker (re: Barthes) but from all previous works and histories to which it pertains. Evaluate everything as an autonomous player - operating from an assigned seat in history and armed with what his mama gave 'em. All art is an orphan. This is more of a practice than anything close to dogma....yet. Meanwhile it will lessen reactionary impulses and dismiss the authority of preconceived notions. This has surely closed me off from some inspired moments in the past. Good exercise.

3. Spend less time compartmentalizing ideas. Throw all them shits together. Less placing and more tossing. Put it in the wrong drawer! Sit back and watch the novel juxtapositions partner-up.... things ne'er before considered (this is as close as I get to cut-up right now). I waste too much of my damn precious time organizing, thoughts and things, anyway. Which brings me to....

4. Practice utilitarianism and apply it's central principle to time management. Utilitarianism states that what is best for most is best for all. All decision-making must ultimately consider this to maintain the integrity of the philosophy. Of course this may result in varying degrees of collateral discomfort for the individual; ideally taken in stride as temporal dues. I have fancied myself a subscriber to this process although I am no "headbanger of morality" (copyright TIWWAH 2012). I like rules and go to utilitarianism for the sensible blanket dialectic it suggests. When faced with a decision, weigh the positive outcome potential for each option and choose accordingly. This structural initiative at the core of utilitarianism is pleasantly operable in everyday scenarios and a welcome relief when things get ethically sticky. Now I am going to further whittle it down and personalize it. iUtilitarianism ya'll!
What is best for the most is best for all.
Highlighted words can be replaced with EMM / ASE / US / goals / productivity / plans / / / /
I am EMM, he is ASE and US is EMM and ASE.
5. Say "fuck it" more

6. Say "fuck it" less

7. "Get Fat!" (for you Grandma!)

..............


Thursday, December 22, 2011

Schrodinger's Lottery Ticket

A record in a box is neither good nor bad....

We just got home from a day of fun in Mississippi. I should be working on the thing with a deadline but I am dealing with a batch of LPs that hitched a ride across the border. They snuck into the back of the Ranger, somehow charging us $1.99 each for the ticket. I have never been fond of moxie, but it turns out I find these hanger-ons to be irresistible: A neat cross-section of works that have piqued my interest in the past which I have never really heard; a strident clan held together by tenuous threads of inference, aesthetic affinity and parallels in time or intersections of label patronage. It’s as if they were wrapped up with a bow big enough to accent a brand new car. I almost feel like I was set up. Let's review:

The Wolfgang Press The Burden of Mules 4AD 1983 Thought it would be more Aztec Camera or C86 guitar twee but it turns out to be an almost spot on (mate!) sketch of Flowers of Romance in the three songs on “this side”. Layers of primitive beats and John Lydon yelling his forebodings from the bathroom down the hall compete for best of show in the look-a-like contest. A more thematic instrumental opens the “over” side (perhaps meant to be heard first) with the drums carried over in full. We hear vocals again in the quirkier (if you like that sort of thing) “Prostitute I” and with authority, singer Michael Allen now pitches the stylings of Mark Perry. The impersonation is intensely compatible with the matter-of-fact dribble on the established profession. More hunger pangs, yelps and architectural reverb; this time led on by a cyclical bass line or two and we are back again, so soon but so ready for more Sniffin' Glue at “Prostitute II”. It is a reprise or reworking of some sort but godamnit if I can't tell the two apart. Then the last song lets itself in as a non-threatening steady drip of water and the albums' bedtime story ensues. It's told by grandma but she is a robot and not a very good one. The story was transcribed from a handkerchief David Lynch blew his nose in once and something has teeth. Your robot grandma obviously doesn't care about you but the backing track, resolute in This Mortal Coil, sure seems like it does and will coax you to sleep. It all comes to a soft crescendo obfuscating all the incidental sounds in the room. I am glad this record is not worth a ton of money because I want to listen to it over and over.

Depeche Mode Music for the Masses Sire 1987

Nothing like a Depeche Mode record to make you feel like you were born in the wrong time. It would have been nice to have these jams as my default high school soundtrack. A successful, thoroughly polished yet legitimately good pop song - heard wide on the radio, would have been a welcome example in my formative years. A perfect pop song is a role model in its existence; a quality product that is also appreciated by the masses is so very rare. "Behind the Wheel" on the charts would serve as an inescapable reminder that prosperity and authenticity can coexist. Then the next song comes on and I don't feel like that anymore.

What follows are the four Ministry recordings acquired today; the first and second full-length LPs, a 12" single and an EP. I have high hopes for these recordings.

Ministry With Sympathy Arista 1983
A how-to of various ways to suck in the early 80's. Al Jourgensen himself called this “an abortion of an album”. (I discovered that quote after putting down my first sentence.) (I don't understand what you mean by this “backspace”....) (If Ministry had to suffer a false start, I do too.)

Ministry “All Day" b/w "Everyday (is Halloween)” Wax Trax! 1985 It's like I have this unfounded standard in my head for how early Ministry should sound and they are just BARELY passing here. This single slid by on reminding me of Go Insane-era Lindsay Buckingham with a British accent.....a faux British accent, Mr. Jourgensen is from Chicago. I made a commitment long-ago to accept and possibly embrace this sort of affectation; I find it endearing. Hopefully he is not copying off the dumbest kid in class.

Ministry "Cold Life" b/w "I'm Falling" "Primental" & "Cold Life Dub" Wax Trax! 1985 Picked up a copy of AP Magazine today and learned the kids are using prescription drugs. Wanna know why? “Dubstep”, says Alex Downtain of Marietta, Georgia.

Ministry Twitch Sire 1986 I actually listened to this one first. Thank fucking God. Not sure if I would have made it here otherwise.

.......to be continued

Saturday, December 17, 2011

Occupy the "Bars"

" One should start with the paradox that singular erotic love, taken precisely as the absolute, should not be posited as a direct goal - it should retain the status of a by-product, of something we receive as a form of undeserved grace. The point is not that 'there are more important things than love' - an authentic amorous encounter remains an absolute point of reference in one's life (to put it in traditional terms, it is 'what makes one's life meaningful'). But the hard lesson to be learned is that, precisely as such, love (the amorous relationship) should not be the direct goal of one's life - when one confronts the choice between love and duty, duty should prevail. True love is modest, like that of a couple in a Marguerite Duras novel: while the two lovers hold hands, they do not look into each other's eyes; they look together outwards, to some third point, their common Cause. Perhaps there is no greater love than that of a revolutionary couple, where each of the two lovers is ready to abandon the other at any moment should the revolution demand it. They do not love each other less than the amorous couple bent on suspending all their terrestrial links and obligations in order to burn out in a night of unconditional passion - if anything, they love each other more."

- Slavoj Zizek Living in the End Times p. 109

Saturday, December 10, 2011

...and sometimes I dip the whole thing in chocolate


We usually start the day with some kind of cookie. It is most likely a lemon sandwich cookie; the kind you can get for two dollars in a package slightly too large length-wise that only a family of six should be able to ingest fully by expiration. The cookies are housed in a plastic tray and wrapping created in the school of user-indifferent to user-i'm-going-to-ruin-your-day technology depending on how far you are in the package and how sensitive your ears are to the acoustic terrorism of the anti-sensuous giving of the wrapping.

Eyes open, a few slight adjustments of the body and a sentence or fragment from a dream or waking thought slips past the aural demarcation line that separates the mind from the commons to become the first entry of the day in the dialogue of two; no intention but duty. It is the brave or ignorant front line in the celebrated battle of conversation with another, the kind you never want to end, some nights foregoing sleep for it to be seamless into the next day (much to the suspicion of others). This initial utterance is at risk of dying in vain a flimsy sentiment; the remainder of whatever can be siphoned from the drug run-off drop box of your subconscious and a dangler from the previous day's to-do list. But as cut-up style equations lay and lie, the math for this morning's initial utterance was simple.

“I wonder what will be the cookie of the year.”

This statement is the result of thinking about and reading top lists for the year and having a theoretical interest in eating something peppermint, made manifest by last night/this morning's peppermint sugar cookie as the featured daily vitamin. But cookies on the brain are an anomaly.

To be empirically sound, my top-ten list of cookies could only feature three types before I would have license to either lie off my ass about cookies or get real dumb with metaphor about it. Don't worry, I have no intention to start listing my “cookie moments” of 2011, but I will have to sit here and think about how absurd it would be to pen a top-ten cookie list in the former fashion.


Here is what I came up with...

-Top ten cookie list as homework assignment. Here the child either gets busted from copying another child's list instead of thinking of their own. Another option would be that the child randomly wrote down ten cookie types and the pedantic teacher deduced either from inconsistency of taste preferences or some kind of magic that the list was false.

-Jilted dessert critic has a melt-down and lists the worst cookies she can think of as a murder/suicide-style vengeance to the world. Beyond victimless to completely pointless, this hypothetical is actually making me kinda sad.

That was in real-time. Yes, part of this will be a dumping ground for kiss-offs and full-blown make-outs with homeless ideas and constructs,. Part of this will be serious, part of this will be silly but it will always be very serious about being silly. And this is the difference. I would like to take this opportunity to state some claims:

The brief cookie list detour above stands. I am writing in pen. We will exhaust all options. We will make the entire space available for these options. We will think twice, three times, four times about something before forming an opinion and we still reserve the right to change our mind. We will beg for others to change our minds. We will press the re-start button to remove any pity-party that tries to sneak into our brain rager. Like strict parents who actually love their children, we will call bullshit on the artless and sexless, not for any reason other than the fact that we care about the crafts at hand.

There are way too many “cool parents” buying their children cheap beer and trying to look hot way past their prime and they are calling the shots and buying in. Just because you did it does not mean it is good. It is not enough to do-it-yourself... DO IT RIGHT. And this is calling myself to arms as much, if not more than, anybody else.

The first thing you say in the morning may fall flat on its face. The observance you keep repeating, longing to get at its center, may cause eyes in dull heads to roll. The result of your opus of brilliance may receive diminishing returns. But while others are window shopping for meaning, I am making a fake cookie list, or whatever...

THIS IS WHY WE ARE HERE.